![]() On the downside, when shooting wide-open, there’s some vignetting (however, this can be easily fixed on Lightroom). ![]() Its wide and versatile focal range allows you to shoot pretty much everything from landscapes and portraits to mild wildlife shots. This lens also has a premium weather-sealed build and is equipped with a very fast, accurate, and silent autofocus. In fact, it is spectacularly sharp edge-to-edge throughout the whole zoom range, even when shooting wide open. This lens is part of the Sony G series, which means it delivers top-notch professional image quality. It’s also pretty lightweight given its focal range. It’s a fantastic lens to travel with as it takes away the need to carry and switch between different lenses. The Sony FE 24-105mm F4 G OSS is a very versatile lens with generous wide-angle coverage and a mighty telephoto reach. Overall, this is the best value standard zoom lens for its top-notch quality and attractive price. There are also some vignetting and barrel distortions, although they can be easily fixed in-camera. On the downside, this lens is typically big and heavy for an f/2.8 zoom. Bokeh is also beautifully round and smooth. Build quality is professional-grade, with several weather-seals fitted throughout. It demonstrates excellent sharpness and contrast even when shooting wide-open, throughout the entire zoom range.Īutofocus is very fast, accurate, and essentially silent. The Sigma 24-70mm F2.8 DG DN Art is proof that you don’t need to part with $2,000 to get a spectacular standard zoom. □ Comparison: While it can’t beat the Sony FE 24-70mm F2.8 GM II, this Sigma lens outperforms all the other standard zoom lenses, including the Sony FE 24-70mm F2.8 GM, the Tamron 28-75mm F2.8 Di III VXD G2, and the Sony FE 24-105mm F4 G OSS. This lens is much more affordable than its Sony competitor, and yet still delivers spectacular results – offering excellent value. Is the above-mentioned Sony FE 24-70mm F2.8 GM II out of your budget? Enter the Sigma 24-70mm F2.8 DG DN Art – the next best option. It’s got a hefty price tag, but it’s well worth the investment if you can afford it. It packs incredible new features and optimal performance into a small, lightweight build. If you heard about the amazing autofocus performance of the original model, this lens is equipped with powerful dual linear motors that make autofocus even faster.Īll in all, if you’re looking for the best-performing standard zoom lens for the Sony a7R IV, this lens is it. It’s also more comprehensively weather-sealed. Moreover, it displays exceptionally smooth bokeh and has even better macro capabilities than the original model. This lens reduces color fringing to negligible amounts and shows fewer distortions than the older model. This is also a clear upgrade from the older lens, which wasn’t as sharp when zoomed in. Even at 70mm f/2.8, it captures outstanding details and contrast. One of the best things about this lens is that it stays sharp throughout the range. This new lens is 22% lighter to carry, has more useful on-lens controls, and is notably sharper when zoomed in – well worth the upgrade. □ A worthy upgrade: This lens is the newer version of the Sony FE 24-70mm F2.8 GM, which was launched in 2016. It’s the newer version of an already incredible lens except this update is an improvement in virtually every way – from its autofocus speed to its size, weight, and close-up performance. The Sony FE 24-70mm F2.8 GM II is the best all-around standard zoom lens for the Sony a7R IV. □ Check price on B&H Photo A closer look:
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